Commentaries on the

History, Philosophy, and Symbolism

of the Degree of

ROYAL ARCH MASON.

Excerpted from pages 91 – 170 of

The Book of the Chapter

by Albert G. Mackey

“A degree indescribably more august, sublime and important than any which precede it; and is, in fact, the summit and perfection of ancient Masonry. It impresses on our minds a belief in the being of a God, without beginning of days or end of years, the great and incomprehensible Alpha and Omega, and reminds us of the reverence which is due to His holy Name.”

Oliver's Historical Landmarks.

SYMBOLICAL DESIGN.

In the preceding degrees we see the gradual progress of man from the cradle to the grave, depicted in his advancement through the several grades of the masonic system. We see him acquiring at his initiation the first elements of morality, and when about to represent the period of manhood, invested with new communications of a scientific character, and discharging the duties of life in various conditions. Again, at a later stage of his progress we find him attaining the experience of a well-spent life, and in the joyful hope of a blessed resurrection putting his house in order, and preparing for his final departure.

And now with reverential awe we continue the sacred theme, and in the last degree symbolically allude to the rewards prepared for those who, in the pursuits of life, have distinguished themselves by a patient “continuance in well-doing.”

Life, without some definite object in view, would be but a wearisome and monotonous existence. Every man, therefore, by the very instinct, as it were, of his nature, sets out with the proposed pursuit of some particular aim. To one it is wealth—to another, fame—to a third, pleasure. But whatever it may be, its attainment is considered as necessary to the happiness of the party seeking it.

The great object of pursuit in masonry—the scope and tendency of all its investigations—is TRUTH. This is the goal to which all masonic labor evidently tends. Sought for in every degree, and constantly approached, but never thoroughly and intimately embraced, at length, in the Royal Arch, the veils which concealed the object of search from our view are withdrawn, and the inestimable prize is revealed.

This truth which masonry makes the great object of its investigations, is not the mere truth of science, or the truth of history, but is the more important truth which is synonymous with the knowledge of the nature of God—that truth which is embraced in the sacred tetragrammaton or omnific name, including in its signification His eternal, present, past and future existence, and to which He Himself alluded when He declared to Moses—“I appeared unto Abraham, unto Isaac, and unto Jacob, by the name of God Almighty: but by my name Jehovah was I not known unto them.”

This knowledge of divine truth is never thoroughly attained in life; the corruptions of mortality, which encumber and cloud the human intellect, hide it as with a thick veil from mortal eyes. It is only beyond the tomb and when released from the burthen of life, that man is capable fully of receiving and appreciating the revelation. Hence, when we figuratively speak of its discovery in the Royal Arch degree, we mean to intimate that that sublime portion of the masonic system is a symbolic representation of the state after death. The vanities and follies of life are now supposed to be passed away—the first temple which we had erected with such consummate labor and apparent skill, for the reception of the Deity, has proved an imperfect and a transitory edifice; decay and desolation have fallen upon it, and from its ruins, deep beneath its foundations, and in the profound abyss of the grave, we find that mighty truth, in the search for which, life was spent in vain, and the mystic key to which death only could supply, when, having passed the portals of the grave, we shall begin to occupy that second temple, that house not made with hands, eternal in the heavens.

HISTORICAL SUMMARY.

Every reflecting mason must at once be struck with the fact that the third degree, or, as Hutchinson calls it, “The Master Mason's Order,” presents all the appearance of being in a mutilated condition—that it is imperfect and unfinished in its history, and that, terminating abruptly as it does, it leaves the mind unsatisfied and craving for something that it does not and cannot supply. Now a reference to this fact is the first step towards an acquaintance with the true origin of the Royal Arch degree.

As an independent degree, given under a distinct jurisdiction and furnished with a separate but appropriate ritual, it is undoubtedly a modern degree, of comparatively recent establishment; but as a complement of the Master Mason's order, as supplying the deficiency of that degree in masonic symbolism it is, and of course must be, as old as the organization of which it forms so important and so necessary a part. The third degree is a symbolic memorial of events which took place at the first temple. The Royal Arch is equally a symbolic memorial of events that occurred at the second, and as the one would be incomplete without the other, we have every reason to suppose that each was adopted at the earliest period of the modem organization of Freemasonry as a memorial system. Indeed they must go together. The Royal Arch is the cape-stone of the masonic edifice, but the third degree is its foundation, and without the presence of both the building would be incomplete. The Royal Arch is absolutely necessary to the perfection of the Master's degree as a science of symbolism, and the latter cannot be understood without the developments of the former. They are the first and second volumes of a continuous history, and the absence of either would mutilate the work.

All of this, it must be remembered, is to be understood of the two degrees, simply in their modern organization, as a record, appropriated to a symbolic purpose, of the events to which they allude. Of course no one can indulge in the absurdity of supposing that the Royal Arch degree could have existed contemporaneously with the Master's at the time of the building of the first temple. Neither degree, in fact, in its present form is to be dated even at the later period of the building of the second. The events which they record of course occurred at the correct historic periods; but the organization and establishment of these degrees as records or memorials of these events, must have been a subsequent invention, when, we know not; nor is it essential to know. Certainly it was at a period beyond the memory of man, and outside of the records of history.

The Third Degree records a loss intrinsically of but little value, yet, in its symbolical reference, of the utmost importance. The Royal Arch records a recovery which is equally symbolical. The recovery cannot be appreciated unless we have first experienced the loss, and the loss would be unmeaning did we not subsequently meet with the recovery.

Accordingly, the Royal Arch degree was, anciently, always considered as a complement of the Master's, and was, therefore, originally conferred in symbolic lodges under the sanction of a Master's warrant. But as to the time when it was first dissevered from this connection and placed under a separate jurisdiction,masonic writers were not able to agree until the lucid explanations of the venerable Oliver have completely settled the long vexed question. [See Oliver, George. Some Account of the Schism which took place during the Last Century amongst the Free and Accepted Masons in England, showing the presumed Origin of the Royal Arch Degree; &c.]

It seems to be evident, from the researches of this learned masonic historian, that until the year 1740, the essential element of the Royal Arch constituted a component part of the Master's degree, and was of course its concluding portion; that as a degree, it was not at all recognized, being but the complement of one; that about that time it was dissevered from its original connection and elevated to the position and invested with the form of a distinct degree by the body which called itself “the Grand Lodge of England according to the old Constitutions,” but which is more familiarly known as the Dermott or the Atholl Grand Lodge, and frequently as “the ancients,” in contradistinction to the legitimate Grand Lodge which was styled “the moderns.”

The jurisdiction of the degree still however continued to be under Master's lodges, and many years elapsed before it was taken thence and placed under the control of distinct bodies called Grand Chapters. In America it was not until 1798 that a Grand Chapter was formed, and many lodges persisted for some years after in conferring the Royal Arch degree under the authority of their warrants from Grand Lodges.

CHAPTER OF ROYAL ARCH MASONS.

The title of the High Priest is “Most Excellent.” He represents Joshua, or Jeshua, who was the son of Josedech, and the High Priest of the Jews, when they returned from the Babylonian exile. He is seated in the east and clothed in the apparel of the ancient High Priest of the Jews. He wears a robe of blue, purple, scarlet and white linen, and is decorated with a breast-plate and mitre. On the front of the mitre is inscribed the words “Holiness to the Lord.” His jewel is a mitre.

The King represents Zerubbabel, who was the son of Shealtiel, and the Prince of Judah, being lineally descended from King Solomon. He was the leader of the first colony of Jews who returned from the captivity at Babylon to rebuild the city of Jerusalem and the temple of the Lord. He sits on the right hand of the High Priest, clothed in a scarlet robe, with a crown on his head and a sceptre in his hand. His jewel is a level surmounted by a crown.

The Scribe represents Haggai the prophet, who returned with Joshua and Zerubbabel to Jerusalem at the liberation of the Jews by Cyrus from their Babylonish captivity. He sits on the left hand of the High Priest clothed in a purple robe and wearing a turban of the same color. His jewel is a plumb-line surmounted by a turban. The Sophar or Scribe among the Jews at the period to which the Royal Arch degree refers, was a learned man whose duty it was to expound the law, and to take care of the records. He may be considered as in some measure a minister of state. Dr. Beard, in Kitto's Cyclopaedia of Biblical Literature, thus describes the functions of the Scribes: “The Scribes had the care of the law; it was their duty to make transcripts of it; they also expounded its difficulties and taught its doctrines, and so performed several functions which are now distributed among different professions, being keepers of the records, consulting lawyers, authorized expounders of holy writ, and, finally, schoolmasters—thus blending together in one character the several elements of intellectual, moral, social, and religious influence. It scarcely needs to be added that their power was very great.” These three officers constitute the Grand Council.

The Captain of the Host represents the general or leader of the Jewish troops who returned from Babylon and who was called “Sar el hatzaba” and was equivalent to a modern general. He sits on the right of the council in front, and wears a white robe, and cap or helmet with a red sash, and is armed with a sword. His jewel is a triangular plate, on which an armed soldier is engraved.

The Principal Sojourner represents the spokesman and leader of a small party of Israelites who had sojourned in Babylon for a short time after the departure of the main body of exiles, and subsequently came up to Jerusalem. He sits on the left of the council, in front, and wears dark robe with a rose colored tesselated border, and a slouched hat and pilgrim's rod or staff. His jewel is a triangular plate, on which a pilgrim is engraved.

The Royal Arch Captain represents the “Sar hatabahim” or Captain of the King's guards. He sits in front of the council and at the entrance of the fourth veil. He wears a white robe and cap, and is armed with a sword, and bears a white pennon or banner. His jewel is a sword.

The Grand Masters of the three veils represent the attendants on the tabernacle. They sit at the entrance of their respective veils, and wear robes and caps of different colors. The Master of the third veil wears a scarlet robe and cap, the Master of the second a purple robe and cap, and the Master of the first a blue robe and cap. Each is armed with a sword, and bears a flag or pennon of the same color as his robe and the veil which he guards. Their jewel is the same as that of the Royal Arch Captain.

The Jewels of a Chapter are of gold, and each is suspended within a triangle. Those of a Grand Chapter are suspended within a circle.

The symbolic color of this degree is scarlet.

The collar and sash of a Royal Arch Mason are scarlet, edged with gold. The sash passes from the left shoulder to the right hip; and on that part of it which crosses the breast, the words “Holiness to the Lord” should be painted or embroidered in gilt letters.

The apron is of white lamb-skin, edged with scarlet ribbon.

THE ROYAL ARCH EMBLEM.

The emblem of Royal Arch Masonry is the triple tau which is a figure of three tau crosses, conjoined after the following form: